Friday, May 18, 2012

Poem: Of Elephants and Antiques



Of Elephants and Antiques

Visitors to my house comment
on the antiques, a collection built
over your short lifetime, many
refinished and resurrected
with chemicals and sweat,
the ancient patina preserved and savored,
each piece with a story,
lovingly told over a glass of wine.

Or they take in the post cards and pictures,
relics from journeys to places
treasured, castles and cathedrals,
tiny cottages and grand villas
of golden ages and places
you have been, and wish
to go to again.

Some see the art, your drawings
and paintings, detailed and abstract,
experiments in line and color,
the art unsold because something about
them sang to you like family
and you could not let them leave
in the arms of strangers.

But none comment on the grey elephant
with baby blue eyes, perched brightly
overlooking your desk, it's cartoon smile
out of place somehow, yet
for you, as full of memories and story
as anything in your house, it stands

apologetically
loved.

=======================

Yeah. That's a baby Dumbo, who lives on the counter next to my desk. Doesn't every poet have one?

Tom

Poem: Landscape Winds



Landscape Winds

The landscape is new, yet familiar,
rolling hills that are not quite mountains,
not quite flat, somewhere
in between, a land in transition,
unsure,

stuck in a place beautiful, yet
uncommitted, where
you sit on the back porch
watching the night lightning,
silent and dramatic,
threatening storms and blissful May rain.

all at a distance, their
threat and promise
unfulfilled,

a drama played out,
hoped for and feared
while you sit, untouched,
waiting for the wind to shift
to bring you....
anything.

The landscape is new, yet familiar.

=====================

The picture was taken near Mineral, Virgina. You can click on it for a larger version.

Tom

Tuesday, May 15, 2012

Thoughts on reinventing ourselves



I was talking to a client the other day about his company and how they wanted to “reinvent” themselves. I’m pretty familiar with the idea, because I’ve been with or worked with companies and people who wanted to re-invent themeselves for many years. It’s the great American Idea, that we can come back from failure and recreate ourselves into something new. And I am familiar with the idea because I’ve had to come back from failure a time or few in my own life.

But after talking to my client, I began to think on it a little more, and I realized that while it’s the great American Idea, it seems to me to only be partially true, that in reality, most people I know who have reinvented themselves a time or two were, in reality, rediscovering themselves.

I can’t tell you how many people I have talked to over the past few years who essentially said the same thing – that they wanted to get back to some essence that they had lost in the complexity and challenges of life. It was less about what they were doing, than it was about making sure they did not lose who they, at their best, WERE.

I’ve been on both sides of that story.

Years ago, when I had to dig myself out from depression and being in a bad place after my marriage fell apart, I spent nearly three years in constant therapy, which turned out to be a slow and constant peeling back of the layers to get to the best essence of me, then rebuilding that essence. It was work. I knew parts of it instinctively, but doing it right meant taking a few wrong turns, letting ideas and feelings settle, and some real work on my part.

I’ve done the same with some of my companies and clients over the years, in a professional sense, helping them sift back to what made them essentially successful. Often, again, it’s less about what they did or sold, less about business processes, than it was about who they were in their corporate soul.

Here’s the irony, in my mind. What we all are, as people or as companies, is almost always simple. But finding it and keeping it, is not always so simple. It takes a mindfulness that few of us have. We get distracted, we become enamoured with ideas, possibilities. The world flirts with us and we flirt back until we forget who and what brought us to the party. 

One of the best things I have learned about losing my way for a time, and then coming back to it, is how important that essence is. So today, I understand that it it is simpler to keep in mind, simpler to maintain, than to rediscover. And now, because I have done the work of rediscovery, I am sure I protect it, instead of running on instinct alone where I can be lose it in life's whirlwind. 

I’ve seen the same thing in other people, or in companies I have worked with. That if they lost their way for a while, and did the work to come back to their essence, that essence is fiercely protected from that point forward. And well it should be, because that is what makes us, us. Being our best selves (to use an Oprah phrase) is the ultimate success. 

 I have no idea where you are in your path my friends and readers, but some of us may be straying. I beg you… don’t. It’s harder to come back, than to stay the course. It’s more arduous to have to reinvent (rediscover) than to be who we are. Finding, then keeping true to, our essence, is really the path to joy.

The rest? It’s just distraction. 

Tom

================

The picture is from Niagara, on the Canadian side. You can click on it for a larger version. 


Saturday, May 12, 2012

Poem: How It Happens



How It Happens

Line by line,
verse by verse,
sometimes dissonant,
sometimes lyrical and agonizing,
filled
with surprises, pain
and soaring pleasure,
life unfolds
like Scheherazade's stories,
full of just enough
mystery
to keep you alive
one more day.

======================

This poem was inspired by a line in David King's poem today (It has no title, so you will have to look for his May 12th poem), a half line that I blatantly stole to travel somewhere completely different with .

If you have not read King's poetry, you should. He's wonderful and wonderfully prolific. An almost daily read for me.

The picture is of a painting I have been working on. I had no image that caught the poem, so I grabbed this one, since like most art, and all life, it is a work in progress.

Tom


Thursday, May 10, 2012

Poem: Love


Love

Love is love, you say,
surprised at yourself,
and how fifty plus years have taught you
the difference

between passion and love,
each of which can live
alone,
or together, and each of which
have a life of their own.

Love is love you say,
and the words are not easy, fighting
a lifetime of being told what love is
and can not be,

having lived and lost love,
and found it again,
seen it in all it's forms,
rich and strong,
flamboyant and false.

Love is love you say,
the stuff of Corinthians,
deep and abiding, not needing
titles or paper, needing

only true hearts, faithful and kind,
enduring and unimaginably strong,
the stuff of God, when we allow it.

Love is love you say, knowing
that words flex and grow,
change and die,
yet love, love remains somehow,

lasting longer than words
or life itself,
ephemeral and enduring,
not the stuff of categories and labels,
but of God's own heart, more loving than our own.

Love is love you say.

======================

This poem was inspired by the news today.

The picture was taken at Lake Anna, near Mineral Virginia, about a week or so ago. You can click on it for a larger version.

Tom

Sunday, May 6, 2012

Thoughts on a made bed


I woke up this morning and made my bed.

I am told that this is a rare thing: a man, and a man of my age and generation, who makes his bed most mornings. I will confess, it is not something I always did, but years ago, while battling through my first bad bout of depression, one of the things my counselor told me was to develop little disciplines and hold fast to them. That they would give me a collection of small victories to look back on each day, and mark progress. They would, she told me, make a difference.

And it was not just the doing of something as prosaic as making my bed that was important. She urged me to savor the experience. If you have ever battled depression, you know how hard that is. In fact, savoring is harder than doing, and doing is damned hard. Because in depression, just getting started each day seems to be an insurmountable task.

That's likely hard to imagine if you have not lived it. I know that I never understood it until I experienced it. For most of my fifty some years, I woke up in a flash, full of energy and ready to launch into my day. Mornings were a joy, full of promise, light, and energy. Since depression hit, mornings take work. At times, if I am in a dark, dark place, they take a lot of work. At other times, when things are better, only a jog of work. But I don't have the same kinds of mornings, even in the best of days, that I once had.

So I get up. I make my bed. As you can see in the picture, it is not Better Homes and Gardens perfect, but I make it. And I work at savoring it. I feel the soft sheets.. I take in the colors. At times I remember where certain things came from - what circumstances led to my buying this particular bed, how I inherited the old radio that serves as my bedside table, the pleasure in restoring the mirror over the bed and how I love it's imperfections.

Doing this sets the pattern for my day. It turns a depressed mind towards more positive thoughts, making each step ahead of it just a little easier. Haing finished one task, often before I even get dressed, it is easier to do the next, and the next.

No one would know this, of course, if they came to visit. They would see a house in fairly good order, and a fifty six year old man who makes his bed. That's all.

Because in general, we don't see the meaning behind what we do. And yet, the meaning is there. In nearly every decision we make, there is a story, something that speaks to the deeper person. What most of us do (and I am as guilty as the next), is assign our meanings, our experiences, to what we see. And that becomes our truth.

Sometimes that may be fine to do. But it is just as possible that we have it all wrong, that we are missing something. What we missed might be unimportant. Or it might be very important. But the odds are, if we don't know what's behind what we see, we're missing something. While much of life is simple People are not

So now, should you visit my small house house across from the quarry, and see my bed made, you will know I didn't make it for you.(sorry)  I made it for me. A small step towards sanity. You will know that for the day you visited at least, I started my day with a victory against inertia, from the very start. And when we share a cup of coffee, we can celebrate the victory together.

Tom

Wednesday, May 2, 2012

Poem: Comfort in the Noise



Comfort in the Noise

The noise, a musical static
of lies and dreams,
like listening to French cafe music,
lyrical and incomprehensible,

a beauty in your head,
that says nothing,
but means everything.

=========================

The picture is of one of my practice sheets. I have recently begun taking art lessons with Rona, and am experimenting with water colors. Before I actually paint, I experiment with color on blank sheets of paper to see if I have the color I want.

Oddly (and this may say something about me as a water color artist) the other students find my practice sheets fascinating. My art? Less so. Hmmm


All the same, it caught the idea of noise for me, so here it is. You can click on it for a larger version. 

Tom

Tuesday, May 1, 2012

Poem: Depression



Depression

A veil.
That's what it is,
a mask of OK, of functioning, while
inside,
every breath is a struggle, every
action, every
act, kind or cruel,
is like swimming in tar,
black, thick, with the sucking sound
that pulls you even
as you lift your foot
for the next step.

A veil,
that's what it is,
that not only hides the tears
that burn like fire down your face,
but blocks the light
from your own eyes,
blurs the best truths,
hides the best of you
and the best beyond you.

A veil,
that is what it is,
frightening to strangers and loved ones alike,
a mask, not of pretension or pretend,
but of fear, desperate for light
and afraid of it
at the same time.

=======================

The picture was taken in Munich.

Tom

Wednesday, April 25, 2012

Thoughts: Lessons from a Clock



The clock in the picture belonged to my great grandparents, on the Drewry side. It’s a late 19th century gothic mantle clock. From there it was passed down to my grandmother Lassiter, then to my mother, and on my 50th birthday, it was given to me.

In all its homes, the clock’s simple Victorian mechanics clicked away, the reassuringly reliable click-click of the pendelum, the hourly deep gong of the chimes. Through my early childhood, when its ticking in the room below my bedroom lulled me to sleep at night, to my turbulent teen years, when it’s chimes told me regularly that I was up way too late, to my adulthood when the clock began to be, not just a timepiece, but a connection point to my family and it’s history.

I’m one of the lucky ones in that I remember well all of my grandparents, all of whom were alive into my thirties and forties, and some of my great grandparents. I have pictures of them in my house, and for me, they are not pictures of people not known, but of people I loved and love still, whose lives still touch me, here in my late fifties.

When I was given the clock, I lived in Troutville, Va. My life seemed settled, and the clock in a small way, was something of a symbol of that, but of course, life does not work that way. A few short years later and I was divorced, and my life and work came undone. I moved twice in a few short years there in Botetourt County, then making the decision to move to Vermont to be close to the woman I have come to love here in Vermont.

And the clock moved with me. Carefully packed and set up, Whether I moved myself, or had someone move my belongings, the clock rode in my car, carefully set upright and strapped in so that it’s delicate works and old glass would make the trip intact. And once settled in my new homes, it would be one of the first things set in place, it’s ticking and hourly gongs a taste of stablility in what seemed to me to be a suddenly unstable life.

It did not make the trip to Vermont well.

The clock didn’t seem to have been damaged. It looked fine, but after I set it in place in my study, would it carefully, it would run for a minute or two, and slowly stop. I looked at it (which is something of a laugh, since I know nothing about clocks, and only have an average mechanical sense), read about clocks of that era, but I could find nothing wrong. And unfortunately, at this point in life, I had other priorities for any spare money I might have.

So I left it in place, silent. I told myself that it didn’t matter that much, that what was important was it’s legacy, the fact that it was a connection point. And to some extent, that was true. But still, it nagged at me, and from time to time I would return to it, trying to figure out what was wrong, how I might fix it. Again and again in the nearly three years I have been here, I would stand there, door open on the clock, tracing it’s mechanics, thinking, always failing to fanthom it’s mystery.

Last night, I was looking at it again, and it came to me. Perhaps it was not the clock. Old clocks are a magical mix of mechanics, gravity and physics. They need to be level, both side to side, and front to back.

The clock looked level, as did the piece of furniture it was on, but, I suddenly realized, I live in an old house, built in 1800. NOTHING is level in an old house. Visually it might look that way, because everything might be tilted the same way.

I went back to the project room (my version of a workshop, since my tiny snapshot of a lot has no room for a real workshop), and found my level. I put it on the kitchen counter. it was level. I move the clock to the counter, started the pendelum, and it clicked, as long and steadily as if it’s work had never been interrupted.

Five minutes with the piece of furniture and the level and everything was plumb and right. The clock was back in place, and now, 12 hours later, it continues to echo through the house.

Like so many things we lose in life, often we don’t fully realize how much we miss something or someone, until we have them back. I miss my friends in Roanoke and other places less when I am here, than when I am back with them, enjoying their company and their goodness and the joy of their presence. The same was true of my clock. Last night, as it began to tick happily away, the law of physics making all right with it’s world, I felt a return to mourning, just for a while, about what I had missed in the years before I finally discovered what was wrong.

And I was reminded of a few life lessons along the way.

First, that persistence pays. If I had not kept at it, returning to it again and again, it would have been a museum piece, instead of the living reminder (and timepiece, Rona is always telling me I don’t have enough clocks in the house.) that it once again is.

Second, that often things that seem hard, really aren’t. It was embarassingly easy to fix the clock. I battle depression, which ebbs and flows in my life, and when I am in the midst of it, everything is hard. But most things in life really aren’t hard.

And so the clock that now sits above my head to one side as I write and work and seek work, has taken on yet another connection point, this time not to family, but to an idea that is important to take to heart: Most of life is simpler than we make it.

Good lessons, both.

Now, I just have to get used to the tick-tock again. 

Tom

Wednesday, April 11, 2012

Photograph: West Pawlet Quarry


 This is the old slate quarry in West Pawlet, Vermont. Taken in the late afternoon earlier today. You can click on it for a larger version.

Tom

Sunday, April 8, 2012

Poem: Easter


Easter

The dead are raised
from the dark mire
of a life worse than death,
more broken,
less certain,
hopeless.

The dead are raised,
the past erased,
the robe new,
prepared to make us worthy,
cleansed
of fear.

The dead are raised,
the stain of mere earth,
of sin and foolishness,
of youth and middle age,
is gone.

The dead are raised,
all around us, the walking wounded
dance to new music, and
God dances
with us.

===================

May my friends and readers around the world have a blessed Easter!

Tom

Saturday, April 7, 2012

Poem: The Trenches


The Trenches

This is where life is fought,
not on the parade ground with colors bright
and creases pin-sharp
create oohs and ahs from the spectators,
lined to watch the show,

Not in the battlefield
where bravery is expected
and reactions, not our minds
rule the day,

but here, in the dark holes
of the trenches,
where, helpless, our walls
protect us, and we hunker down,

preparing in silence
for that moment
where we charge,
or flee. 

==========

The picture was taken at the Army Heritage Center, in Carlyse, PA, where they have, among other things, a recreation of World War One trenches. This was the headquarters of this section of trenches. You can click on it for a larger version.

Tom

Wednesday, April 4, 2012


Rot

It is a slow rot
that brought you to this place,
each flake of pain silently falling
unnoticed

until your walls were raw and exposed,
your windows,
broken in the wind,
the weather no longer held at bay
but let in

to the floors, the beams,
all hidden,
all rotting,

all happening so slowly
no one notices
until finally the roof bows and falls,
or
someone arrives, dedicated
to restoration.

============================

The picture was taken down the road from in in West Pawlet. You can click on it for a larger version.

Tom

Sunday, April 1, 2012

Poem: Ancient Picnics

Ancient Picnics


You stare at the table, and see
the bock of cheese and bread baked
in brick ovens, you see
the wine, it's golden hue lit

by the late afternoon sun. You see
her,
hair flowing in the spring breeze,
skin braised, velvet gold.

You remember it all, spring, summer,
the sudden change of fall,
the winter,

the long, cold, bitter winter,
an eternity of winters that now,
at middle age
has finally fled, bringing you here,

to the ruins of the table,
it's blue checkered cloth torn,
it's wood grey and brittle,
like hope, abandoned too long, or

almost too long, for
it still stands, waiting uncertainly
for another winter, or
a season of repair.

You sigh.
You smile
and reach for your hammer
and the new nails in your pocket.
==================================
The picture was taken along the D&H Rail Trail, which runs through my town of West Pawlet, VT. You can click on it for a larger version.
Tom 

Friday, March 30, 2012

Poem: Jasmine Tea




Jasmine Tea

It's taste is gentler than you remember,
more subtle and complex, as if
with age you can better sense
the layers of taste, better appreciate

it's imperfect gentleness, no longer
needing power or strength
in quite the same way
as you demanded it in the bloom
of exuberant and oblivious youth.

There are flowers in it, white
and shredded, reminding you of dogwoods
and the smell of magnolia in the distant
past.

With the second sip, you are young again,
belying the wrinkled truth of your face, and
your heart, once so tired,

lifts like the dancing steam
drifting upward from the cup,
white and mysterious and always,
always, disappearing.

=========================

And yes, I really have recently rediscovered the subtle delight that is Jasmine tea,

Tom